It seems a bit out of place in a collection like this, though it probably has some relevance in the film itself. This number is easily one of the better songs in the album.Īzhagi Varra is sung by Tippu, Swetha and chorus is your average commercial song, with a pace, lyrics and sound effects the likes of which you'd usually find in potboilers - the mandatory dappankuthu. Sriram Parthasarathy is at his fluent best, while Thanya's voice seems a shade less perfect in timbre she also needs to practice her Tamil pronunciation. ![]() Here, the veena and flute come into play again. Written by Pazhanibharathi, this is a romantic, simple piece uncluttered by too many conflicting instrumental pieces. This song returns to the composer's familiar ground, the raga Suddha Dhanyasi, reminding you a little of Maalaiyil Yaaro, from Kshathriyan. Kallai irunthen commences with a refrain by Thanya. Interspersed with the veena, violin and flute, it's the archetypal classical concert and reminds you a little of the Vanjikkottai Valiban hit number. Soon, veteran singer Sudha Raghunathan joins the melody, and the song seems to be a sort of competition between, presumably, two dancers, if the lyrics of Vaali are anything to go by. While it does have a few touches of vintage Ilaiyaraja, here again, the change between one raga to another doesn't quite seem to fit.Ībinayam kaatukinra begins with the steady rhythm of mridangam, and the readily recognizable voice of Bombay Jeyashree. The veena comes into play again, and the opening raga changes into that staple of classical music, Mayamalavagowlai - incidentally, one of the maestro's favourites, and you must admit, beautifully crafted. Ilaiyaraja's elucidation of classical dance is rather beautiful to hear, as he lists out the instruments, the voices, and musical notes and ragas that form a perfect dance composition. Still, a charming song.Īganthaiyil Aaduvatha, written by Muthulingam is a song where Ilayaraja contributes again, explaining the intricacies of dance, after Sriram's beginning lines. Each part, or charanam, is composed in different ragas, and though Sriram's voice ably commands it, the tune does meander a bit, especially when it re-joins the first line. Veenas and flutes bring the classic touch to this song with shades of Kalyani raga, and the second half has Ilaiyaraja contributing conversation. Mu Mehta's words seem to talk more about the various stances of dance, as they dwell on the emblems and insignia of the kings of Tamil Nadu. Up next we have Pularginra Pozhuthu, a song with classical touch which opens with a soothing raga Boopalam sung by Sriram Parthasarathy, whose clean and refreshing voice flits in and out of the notes easily. Pleasant, yes - but it's a tune you've heard often. The beat shifts too, accompanied by nadaswaram and thavil. A kummi song forms the second half of the track, and then the song abruptly shifts to oyilattam and karagattam - Tamil Nadu's folk dances. Flute interludes instantly take you back to the village-centric classics so favoured by Vijaykanth et al the only difference is that this one talks about a land that existed more than 1000 years ago. Madhu Balakrishnan, Saindhavi and Rita provide ample background support. A simple tune, clearly reminiscent of the maestro's many rural compositions, it's got a steady rhythm. Well, the first track Alaiyelam chozhavala nadu is rendered by Isaignani Ilayaraja himself, which finds him singing the praises of Chozha Nadu, its many merits in land and people. So what does the music of a chisel have in store for us? Raising enormous expectations, its music has been composed by maestro Ilayaraja, whose expertise at weaving melody and lyrics into delectable fare is legendary. ![]() Stick to this space for the regular dosage of anything and everything entertainment! While you’re here, don’t hesitate to share your valuable feedback in the comments section.Said to be a love story between a sculptor and a dancer, the movie is set in the times of Rajaraja Chola, one of the greatest kings of Tamil Nadu. Must Read: Dhanush Wins Best Actor For Asuran At BRICS Film Festivalīe a part of our community to get the latest Telugu, Tamil, Kannada, Malayalam film news & more. The music director, in that video, had asked fans to create their own situation for the tune. On Friday, the music director had posted an audio clip in which he had hummed a tune and had asked his fans to send in their lyrics for the tune. I have doubts if whether this message of mine reached those fans. I was also expecting responses from Telugu, Hindi, Malayalam and Kannada. After all of them have finished writing their lyrics, I will announce my decision. Out of the responses, I know which ones must be taken to the people. I am delighted to see your enthusiasm and emotions gushing out. In the clip, Isaignani Ilaiyaraaja told fans, “I am very happy to see your enthusiasm.
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